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Thackurdeen Memorial, Kurt Wulfmeyer, in collaboration with the Thackurdeen family

Art and Nature Thus Allied

Fall 2015 / Issue I / CXIII

Shortly after Parrish Hall opened its doors on rolling farmland in 1869, nearby Philadelphia was busy enhancing its fledgling Fairmount Park with statuary.

Nearly a century later, Swarthmore began acquiring its own outdoor sculptures, coinciding with a resurgence of interest in the subject in Philadelphia. As the city passed a landmark law requiring a percentage of building budgets to support public art, large-scale, abstract sculptures proliferated.

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